Save Us for We Perish: On My Relationship with a Woodcut Image

[This essay is a smudging or an exorcism — a chance to acknowledge a woodcut image's strange hold on me and free myself from its grip. It weaves together two kinds of analysis as a result. One is contextual: what is this thing and what was its intended purpose? The other is methodological: why...

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Bibliographic Details
Main Author: Kaell, Hillary (Author)
Format: Electronic Article
Language:English
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Published: Indiana University Press 2019
In: American religion
Year: 2019, Volume: 1, Issue: 1, Pages: 88-108
Online Access: Volltext (lizenzpflichtig)
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Summary:[This essay is a smudging or an exorcism — a chance to acknowledge a woodcut image's strange hold on me and free myself from its grip. It weaves together two kinds of analysis as a result. One is contextual: what is this thing and what was its intended purpose? The other is methodological: why do some things attract or repel us as scholars and how does that shape our work? In the process, I explore the mid-nineteenth-century transmission of Catholic media through the Holy Childhood Association's Montreal offices, exploring the strange, transworldly globalism it sought to produce for its lay audience.]
ISSN:2643-9247
Contains:Enthalten in: American religion
Persistent identifiers:DOI: 10.2979/amerreli.1.1.06