Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina

In his carmina, Venantius Fortunatus (sixth century) has left us three figurate poems that depict the cross as an image, while its verses describe the cross textually. He is thus an author who completely detaches figurate poems from the pagan tradition and inscribes them in the Christian one. The ai...

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Detalhes bibliográficos
Autor principal: Derhard-Lesieur, Gina (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: Ruhr-Universität Bochum 2023
Em: Entangled Religions
Ano: 2023, Volume: 14, Número: 5
(Cadeias de) Palavra- chave padrão:B Venantius, Fortunatus 530-600, Carmina / Poesia visual / Linguagem de imagens / Cruz / Arte sacra cristã / Iconografia / Ekphrasis
Classificações IxTheo:CE Arte cristã
KAD Alta Idade Média
Outras palavras-chave:B Gaul
B Venantius Fortunatus
B iconotexts
B Cross
B Images
B Poems
B Christianity
B Late Antiquity
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Descrição
Resumo:In his carmina, Venantius Fortunatus (sixth century) has left us three figurate poems that depict the cross as an image, while its verses describe the cross textually. He is thus an author who completely detaches figurate poems from the pagan tradition and inscribes them in the Christian one. The aim of this essay is to examine these poems from a pictorialist perspective. To this end, after a brief presentation of all three poems, they are considered, firstly, as ekphraseis that draw on a three-step representation: The figure depicts a cross that points to transcendence, the verses describe it, and they have the potential to evoke an additional mental image in the reader. Secondly, I examine what image and text, and thus the figurate poems as intermedial products, gain through the respective other medium. This results, thirdly, in an analysis of the figurate poems within the categories of iconism, aniconism, and anti-iconism.
ISSN:2363-6696
Obras secundárias:Enthalten in: Entangled Religions
Persistent identifiers:DOI: 10.46586/er.14.2023.10345