The Artist as the Church's Mouthpiece: The Cultural Witness of Church Art and Its Patronage

This article explores how art installed within a church space contributes to the church’s cultural witness, drawing from the contemporary example of Alison Watt’s Still, installed in Old Saint Paul’s Episcopal Church in Edinburgh, Scotland. While the object’s capacity to proclaim is present, this ca...

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Bibliographic Details
Main Author: Schumacher, Sara (Author)
Format: Electronic Article
Language:English
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Published: MDPI 2023
In: Religions
Year: 2023, Volume: 14, Issue: 5
Further subjects:B cultural witness
B church arts patronage
B theology and the arts
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Description
Summary:This article explores how art installed within a church space contributes to the church’s cultural witness, drawing from the contemporary example of Alison Watt’s Still, installed in Old Saint Paul’s Episcopal Church in Edinburgh, Scotland. While the object’s capacity to proclaim is present, this case study extends the exploration of art’s cultural witness to include imaginative participation in the Gospel narrative as well as its transformation of the space in which it is installed. Focus then turns to the Church’s patronage of the visual arts, arguing that this is another example of cultural witness. In this case, one finds a relationship between church and artist that is marked by trust, collaboration, and protection.
ISSN:2077-1444
Contains:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel14050561