Iqbal Before the Mosque of Cordoba: Goethean Crossings

This is a tale of two thinkers across time and space who have been read together but in conventional ways as representing the meeting of the East and the West. I propose instead a different relationship between them, that of hidden relays and realizations, in which one who comes later receives and a...

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Bibliographic Details
Subtitles:"Special Issue on Steps to a Global Thought: Thinking from Elsewhere (pp. 411–611)"
Main Author: Khan, Naveeda Ahmed 1969- (Author)
Format: Electronic Article
Language:English
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Published: Springer Netherlands 2023
In: Sophia
Year: 2023, Volume: 62, Issue: 3, Pages: 533-553
Further subjects:B Nature
B Goethe
B Mosque of Cordoba
B Iqbal
B Postcoloniality
Online Access: Volltext (lizenzpflichtig)
Description
Summary:This is a tale of two thinkers across time and space who have been read together but in conventional ways as representing the meeting of the East and the West. I propose instead a different relationship between them, that of hidden relays and realizations, in which one who comes later receives and actualizes a potential in the writings of the one earlier but in implicit ways to avoid the political and theological pitfalls of his times. To draw out this line of transmission requires me to offer a different reading of a famous poem by the one who comes later than that usually proffered. The tale starts with the poet and philosopher Muhammad Iqbal visiting the Mosque of Cordoba during a sojourn at Spain in 1933 and writing a lyrical poem (ghazal) of the same name to mark the event. The poem, widely considered a great work, has been well plumbed for its formal qualities and for the themes with which Iqbal has long been associated, such as a new appreciation of the Muslims' past and harkening to Muslims of the future. If we take into consideration that Iqbal was an avid reader of philosophy and poetry, with an attraction to German thought, then his engagement with the writings of the eighteenth-century thinker Goethe provides a way to rethink the Muslim present within the poem. It becomes a space of possibility for Muslims, historical ruins, and poetical verse, which is neither about bemoaning a lost caliphate nor anticipating Muslim becoming but about Muslim participation in nature as natural beings.
ISSN:1873-930X
Contains:Enthalten in: Sophia
Persistent identifiers:DOI: 10.1007/s11841-023-00959-y