SWORD CARRY IN THE ART OF ASHURNASIRPAL II: DISPLAYS OF DIVINE AUTHORITY
This paper explores the meaning behind the two methods of sword carry depicted in the iconography of Ashurnasirpal II. While the sword is regarded as a prestigious weapon tied to the owner's identity, the implications of how such an understanding of the sword in the Neo-Assyrian Empire might fu...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Cambridge Univ. Press
2020
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| Dans: |
Iraq
Année: 2020, Volume: 82, Pages: 73-93 |
| Accès en ligne: |
Accès probablement gratuit Volltext (lizenzpflichtig) |
| Résumé: | This paper explores the meaning behind the two methods of sword carry depicted in the iconography of Ashurnasirpal II. While the sword is regarded as a prestigious weapon tied to the owner's identity, the implications of how such an understanding of the sword in the Neo-Assyrian Empire might further delineate the underlying messages of the palace reliefs of Ashurnasirpal II remain unaddressed in secondary literature. As a result, through a combination of a cognitive analysis in regards to the significance of the sword's appearance in Neo-Assyrian texts and iconography as well as an analysis of visual formulas in the palace reliefs of Ashurnasirpal II as identified by Mehmet-Ali Ataç, this paper argues that the visual representation of the sword is intended to communicate not only the wielder's power and wealth but also the wielder's exercise or restraint of divine authority based on the carry method displayed. |
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| ISSN: | 2053-4744 |
| Contient: | Enthalten in: Iraq
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| Persistent identifiers: | DOI: 10.1017/irq.2020.1 |