Rose Blossoms, Ashura Pudding, and a “Golden Trophy:” Embodied Material Traces of Islamic Mysticism in Ottoman Hungary
This study examines three of the most iconic sites associated with Islamic mysticism, or Sufism, in Ottoman Hungary. These are three mausoleums located in Buda, Pécs, and Turbék, near Zigetvár. The first two are the final resting places of the Sufi mystics known as Gül Baba and Idris Baba. The third...
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Taylor & Francis
2023
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| In: |
Material religion
Jahr: 2023, Band: 19, Heft: 5, Seiten: 439-456 |
| weitere Schlagwörter: | B
multilocation
B hypercorporality B scarification B body-marking B Materiality B mortification of the flesh B heart burial B Branding B evisceration B dream visions B Sufism B Relics |
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Volltext (kostenfrei) |
| Zusammenfassung: | This study examines three of the most iconic sites associated with Islamic mysticism, or Sufism, in Ottoman Hungary. These are three mausoleums located in Buda, Pécs, and Turbék, near Zigetvár. The first two are the final resting places of the Sufi mystics known as Gül Baba and Idris Baba. The third is Sultan Süleyman’s mausoleum next to a Sufi dervish lodge, the foundations of which were uncovered during recent excavations. The research sheds light on the (embodied) material practices associated with these sites, as well as their sensory engagement and synaesthetic experiences. The bodies of the spiritual leaders, presented in the first two cases, serve as living sites of mystical experiences, both through self-destructive acts graphically represented on their bodies, and through bodily miracles such as hypercorporeality, multilocality, and dream visions. The third case concerns the body of a secular and a spiritual leader, the temporary burial of his disemboweled and embalmed body in the mausoleum at Turbék, and the tradition that his heart and entrails were kept in a reliquary-like vessel at the site, which interestingly paralleled contemporary Habsburg customs. Building on Thomas Csordas (1990) and Manuel Vásquez (2011), I explore the role of human and non-human “supernatural” actors interacting in these mystical networks, focusing on the role of their embodiment and materiality, their movement and their physically fragmented bodies. |
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| ISSN: | 1751-8342 |
| Enthält: | Enthalten in: Material religion
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| Persistent identifiers: | DOI: 10.1080/17432200.2023.2285584 |