Climate Migration in Post-Apocalyptic Narratives on the Mainstream Screen
Through the perspective of ‘catastrophising thought’, this work undertakes a comparative analysis of five post-apocalyptic films dealing with climate migration: Waterworld, Snowpiercer, Interstellar, Mad Max: Fury Road and Mortal Engines in order to identify recurring themes within their dystopian s...
| Authors: | ; |
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| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
MDPI
2024
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| In: |
Religions
Year: 2024, 卷: 15, 發布: 2 |
| Further subjects: | B
Climate
B post-apocalypse B 電影 B Narrative B 遷移 B Catastrophe B Dystopia B Future B Home |
| 在線閱讀: |
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| 總結: | Through the perspective of ‘catastrophising thought’, this work undertakes a comparative analysis of five post-apocalyptic films dealing with climate migration: Waterworld, Snowpiercer, Interstellar, Mad Max: Fury Road and Mortal Engines in order to identify recurring themes within their dystopian societies. These narratives share an apocalyptic literary approach, intertwining biblical elements to draw a subjectivity that enables us to see the end of our known world order simultaneously as a new beginning. In the plots, technological development is related to the disrespect of ecological harmony and, therefore, extreme climate conditions. The changes in the films’ narratives lead to a new kind of spirituality and a new concept of home. This article concludes by evaluating how these findings relate to the real, contemporary world. |
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| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel15020231 |