The necessity of form and spatial content for defining “apocalypse” and “apocalyptic”

The Semeia 14 definition of apocalypse defined apocalypses as a constellation of form, temporal content, and spatial content, but temporal content (particularly eschatological features) remains the dominant lens through which the genre of apocalypse and related texts are understood. Defining apocaly...

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Detalles Bibliográficos
Autor principal: Reynolds, Benjamin E. 1977- (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Publicado: Sage 2024
En: Journal for the study of the pseudepigrapha
Año: 2024, Volumen: 33, Número: 3, Páginas: 187-197
Otras palabras clave:B Apocalyptic
B Gospel of John
B apocalypse genre
B Semeia 14
B Jubilees
B Eschatology
Acceso en línea: Volltext (lizenzpflichtig)
Descripción
Sumario:The Semeia 14 definition of apocalypse defined apocalypses as a constellation of form, temporal content, and spatial content, but temporal content (particularly eschatological features) remains the dominant lens through which the genre of apocalypse and related texts are understood. Defining apocalypses primarily in terms of eschatology, however, narrows the definition of apocalypse and dismisses some texts that reflect non-eschatological features of apocalypses. Form and spatial content are often neglected in the examination of apocalypses and “apocalyptic” texts. When we pay attention to form and spatial content, along with temporal content, new horizons open for considering what may be considered apocalypse-like. Jubilees and the Gospel of John are presented as two examples of revelatory texts that reflect the form and spatial content of apocalypses.
ISSN:1745-5286
Obras secundarias:Enthalten in: Journal for the study of the pseudepigrapha
Persistent identifiers:DOI: 10.1177/09518207231217237