Marlowe's Ovid: the Elegies in the Marlowe Canon

Introduction: "Small things with greater may be copulate": Marlowe the Ovidian -- Marlowe, theatrical speech, and the epicenter of sonnetdom: the elegies -- Tamburlaine and "the argument of every epigram or eligie" -- Parts that no eye should behold: Dido and the desultor -- &quo...

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Bibliographic Details
Main Author: Stapleton, Michael Lee 1958- (Author)
Contributors: Marlowe, Christopher 1564-1593 (Other)
Format: Print Book
Language:English
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Published: Farnham [u.a.] Ashgate 2014
In:Year: 2014
Reviews:[Rezension von: Stapleton, M. L., Marlowe's Ovid: The Elegies in the Marlowe Canon] (2015) (Sänger, Michael, 1945 -)
Standardized Subjects / Keyword chains:B Ovidius Naso, Publius 43 BC-17, Amores / Reception / Marlowe, Christopher 1564-1593
Further subjects:B Amores
B Ovid (43 B.C.-17 A.D. or 18 A.D) Amores
B Marlowe, Christopher (1564-1593) Criticism and interpretation
B Ovid (43 B.C.-17 A.D. or 18 A.D) Influence
B Ovidius Naso
B Reception
B Marlowe, Christopher
B Elegiac poetry, Latin History and criticism
B Criticism and interpretation / Marlowe, Christopher 1564-1593 Ovid 43 B.C.-17 A.D. or 18 A.D Amores (Ovid) / Influence / Ovid 43 B.C.-17 A.D. or 18 A.D / Marlowe, Christopher 1564-1593 Elegiac poetry, Latin / History and criticism Roman influences / English literature Elegiac poetry, Latin Roman influences / English literature Influence (Literary, artistic, etc.) / Criticism, interpretation, etc
B English literature Roman influences
Description
Summary:Introduction: "Small things with greater may be copulate": Marlowe the Ovidian -- Marlowe, theatrical speech, and the epicenter of sonnetdom: the elegies -- Tamburlaine and "the argument of every epigram or eligie" -- Parts that no eye should behold: Dido and the desultor -- "It is no pain to speak men fair": the desultor in Edward II -- The massacre at Paris: the desultor as playwright -- "Loue alwaies makes those eloquent that haue it": Ovid in Hero and Leander -- Lente, lente: Doctor Faustus and the elegies -- Ovid in the Jew of Malta. The first book of its kind, Marlowe's Ovid explores and analyzes in depth the relationship between the Elegies - Marlowe's translation of Ovid's Amores - and Marlowe's own dramatic and poetic works. Stapleton carefully considers Marlowe's Elegies in the context of his seven known dramatic works and his epyllion, Hero and Leander, and offers a different way to read Marlowe. Stapleton employs Marlowe's rendition of the Amores as a way to read his seven dramatic productions and his narrative poetry while engaging with previous scholarship devoted to the accuracy of the translation and to bibliographical issues. The author focuses on four main principles: the intertextual relationship of the Elegies to the rest of the author's canon; its reflection of the influence of Erasmian humanist pedagogy, imitatio and aemulatio; its status as the standard English Amores until the Glorious Revolution, part of the larger phenomenon of pan-European Renaissance Ovidianism; its participation in the genre of the sonnet sequence. He explores how translating the Amores into the Elegies profited Marlowe as a writer, a kind of literary archaeology that explains why he may have commenced such an undertaking.
Item Description:Literaturverz. S. [225] - 250
ISBN:1472424948