The real and the surreal: Two approaches to social criticism in the plays of Gholam-Hosayn Sa'adi
The article introduces the works of Gholam-Hosayn Sa'adi who in the 1960ies and 70ies had been one of Iran's leading dramatists. In 1979 he emigrated to Paris where he remained until his death in 1985. Besides a playwright he had been a political activist and for some time had worked as a...
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格式: | Print 文件 |
语言: | English |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
出版: |
Steiner
1995
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In: |
Gesellschaftlicher Umbruch und Historie im zeitgenössischen Drama der islamischen Welt
Year: 1995, Pages: 149-160 |
Further subjects: | B
政治变化
B 电影 B Iran B 社会–文化转变 B Iran Politische Entwicklung 社会–文化转变 公共领域 剧场 电影 Sa'adi, Gulam Husain B 公共领域 B 剧场 |
总结: | The article introduces the works of Gholam-Hosayn Sa'adi who in the 1960ies and 70ies had been one of Iran's leading dramatists. In 1979 he emigrated to Paris where he remained until his death in 1985. Besides a playwright he had been a political activist and for some time had worked as a psychiatrist. Accordingly his works deal with socio-political themes. Socio-political themes which apply to twentieth century Iran but which Sa'adi in close observation of human nature manages to transcend to the universal level. (DÜI-Mjr) |
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ISBN: | 3515067051 |
Contains: | In: Gesellschaftlicher Umbruch und Historie im zeitgenössischen Drama der islamischen Welt
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