The real and the surreal: Two approaches to social criticism in the plays of Gholam-Hosayn Sa'adi
The article introduces the works of Gholam-Hosayn Sa'adi who in the 1960ies and 70ies had been one of Iran's leading dramatists. In 1979 he emigrated to Paris where he remained until his death in 1985. Besides a playwright he had been a political activist and for some time had worked as a...
| Autore principale: | |
|---|---|
| Tipo di documento: | Stampa Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Pubblicazione: |
Steiner
1995
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| In: |
Gesellschaftlicher Umbruch und Historie im zeitgenössischen Drama der islamischen Welt
Anno: 1995, Pagine: 149-160 |
| Altre parole chiave: | B
Cambiamento socio-culturale
B Sfera pubblica B Film <motivo> B Iran B Cambiamento politico B Teatro B Iran Politische Entwicklung Cambiamento socio-culturale Sfera pubblica Teatro Film <motivo> Sa'adi, Gulam Husain |
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| 520 | |a The article introduces the works of Gholam-Hosayn Sa'adi who in the 1960ies and 70ies had been one of Iran's leading dramatists. In 1979 he emigrated to Paris where he remained until his death in 1985. Besides a playwright he had been a political activist and for some time had worked as a psychiatrist. Accordingly his works deal with socio-political themes. Socio-political themes which apply to twentieth century Iran but which Sa'adi in close observation of human nature manages to transcend to the universal level. (DÜI-Mjr) | ||
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