The real and the surreal: Two approaches to social criticism in the plays of Gholam-Hosayn Sa'adi
The article introduces the works of Gholam-Hosayn Sa'adi who in the 1960ies and 70ies had been one of Iran's leading dramatists. In 1979 he emigrated to Paris where he remained until his death in 1985. Besides a playwright he had been a political activist and for some time had worked as a...
| Autor principal: | |
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| Tipo de documento: | Print Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
Steiner
1995
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| En: |
Gesellschaftlicher Umbruch und Historie im zeitgenössischen Drama der islamischen Welt
Año: 1995, Páginas: 149-160 |
| Otras palabras clave: | B
Cambio político
B Película B Iran B Esfera pública B Teatro B Cambio sociocultural B Iran Politische Entwicklung Cambio sociocultural Esfera pública Teatro Película Sa'adi, Gulam Husain |
| Sumario: | The article introduces the works of Gholam-Hosayn Sa'adi who in the 1960ies and 70ies had been one of Iran's leading dramatists. In 1979 he emigrated to Paris where he remained until his death in 1985. Besides a playwright he had been a political activist and for some time had worked as a psychiatrist. Accordingly his works deal with socio-political themes. Socio-political themes which apply to twentieth century Iran but which Sa'adi in close observation of human nature manages to transcend to the universal level. (DÜI-Mjr) |
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| ISBN: | 3515067051 |
| Obras secundarias: | In: Gesellschaftlicher Umbruch und Historie im zeitgenössischen Drama der islamischen Welt
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