The real and the surreal: Two approaches to social criticism in the plays of Gholam-Hosayn Sa'adi
The article introduces the works of Gholam-Hosayn Sa'adi who in the 1960ies and 70ies had been one of Iran's leading dramatists. In 1979 he emigrated to Paris where he remained until his death in 1985. Besides a playwright he had been a political activist and for some time had worked as a...
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| Type de support: | Imprimé Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Steiner
1995
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| Dans: |
Gesellschaftlicher Umbruch und Historie im zeitgenössischen Drama der islamischen Welt
Année: 1995, Pages: 149-160 |
| Sujets non-standardisés: | B
Iran
B Théâtre B Film B Changement socioculturel B Public B Iran Politische Entwicklung Changement socioculturel Public Théâtre Film Sa'adi, Gulam Husain B Changement politique |
| Résumé: | The article introduces the works of Gholam-Hosayn Sa'adi who in the 1960ies and 70ies had been one of Iran's leading dramatists. In 1979 he emigrated to Paris where he remained until his death in 1985. Besides a playwright he had been a political activist and for some time had worked as a psychiatrist. Accordingly his works deal with socio-political themes. Socio-political themes which apply to twentieth century Iran but which Sa'adi in close observation of human nature manages to transcend to the universal level. (DÜI-Mjr) |
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| ISBN: | 3515067051 |
| Contient: | In: Gesellschaftlicher Umbruch und Historie im zeitgenössischen Drama der islamischen Welt
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