NAVIGATING THE PLURALITY OF GENDER IN CHITRANGADA : Identity, Alterity and Beyond

The hierarchical binary of the masculine ‘self’ and the feminine ‘other’ establishes polarised discrete categories defining a rigid sex-gender system. This paper explores how Rabindranath Tagore’s adaptation of The Mahabharata’s Chitrangada in his dance drama1 transformed the character into a warrio...

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Bibliographic Details
Authors: Banerjee, Priyanka (Author) ; Singh, Rajni (Author)
Format: Electronic Article
Language:English
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Published: Dharmaram College 2018
In: Journal of Dharma
Year: 2018, Volume: 43, Issue: 1, Pages: 47-66
Further subjects:B Masculinity
B gender-identity
B Chitrangada
B Femininity
B Plurality
B Adaptation
Online Access: Volltext (kostenfrei)
Description
Summary:The hierarchical binary of the masculine ‘self’ and the feminine ‘other’ establishes polarised discrete categories defining a rigid sex-gender system. This paper explores how Rabindranath Tagore’s adaptation of The Mahabharata’s Chitrangada in his dance drama1 transformed the character into a warrior princess who dismantles the hierarchical binary of the masculine self and the feminine other by questioning and redefining dominant gender norms. The paper examines how Rituparno Ghosh’s adaptation Chitrangada - the Crowning Wish2 reconceptualizing Chitrangada as an androgynous gender nonconforming dancer who undergoes sex reassignment surgery dismantles the binary sex-gender system suggesting a plurality of sex and gender. The paper interrogates how acceptance and celebration of plurality leads to a more progressive society enabling individuals to achieve their potential.
ISSN:0253-7222
Contains:Enthalten in: Journal of Dharma